The year is 2307 and Earth is three centuries removed from climate change transforming its surface to glacial ice. Humanity has evolved to living underground, i...
Welcome, one and all, to the newest episode of The Film Stage Show! This week, I am joined by Bill Graham and Michael Snydel to discuss Nate Parker's contro...
Bryan Bertino’s 2008 thriller The Strangers outperformed box office expectations and offered several bona fide unnerving moments, earning the slasher a small ...
When Tony Conrad passed away in April of 2016, I knew of him as an experimental filmmaker. It's hard to be an art student at the University at Buffalo — despite...
I know what Victoria Negri's debut feature, Gold Star, is about, even if the thing never quite finds the footing to fulfill its promise. It's about a young woma...
What first appeared to be a DTV actioner, aging star and all, that slipped its way into theaters ended up being the premier American action film of... this ...
Has Mike Mills ever been unsympathetic to another human being? If his two most recent features, Beginners and this year's NYFF centerpiece selection, 20th Centu...
The general perception of Paul W.S. Anderson's bombastic, symmetrical-composition-heavy cinema has changed enough in the four years since the last Resident ...
If you care for the films of Pedro Almodóvar -- and I'm sure that's many of you -- his newest picture, Julieta, will likely leave you satisfied. As we said ...
With Things to Come, the great Mia Hansen-Løve is earning some of her best reviews in years, and, along with Paul Verhoeven's Elle, it represents a banner y...
