Dailies is a round-up of essential film writing, news bits, videos, and other highlights from across the Internet. If you'd like to submit a piece for consi...
There were many conversations surrounding Richard Linklater's Boyhood, most of them bad, and among the more interesting concerned its star, Ellar Coltrane -...
Arriving on Blu-ray this week is Todd Haynes' immaculate drama Carol, which we named one of the best films of 2015. We've teamed with The Weinstein Company ...
Neon Bull has received almost nothing but fine notices in its lead-up to a theatrical release, over the past few months earning plaudits for its vision of n...
Welcome, one and all, to the newest episode of The Film Stage Show! This week, I'm joined by Amanda Waltz and Bill Graham to discuss Dan Trachtenberg and J....
How nice that, as early as March 14, one of our most-anticipated films of 2016 can be a couple of weeks away. Following an SXSW premiere, Richard Linklater'...
Near the end of his essay for the Criterion release of Dazed and Confused, Kent Jones writes, “ Linklater has a keen, poetic memory for exactly how we did nothi...
Pleasant enough, if not paper-thin and featherweight, The Perfect Match is a bland picture starring attractive people that never quite seems to connect the dots...
If I had to name the film that's causing agents the greatest amount of stress about their young, male British clients' future -- I don't know why I have to ...
