When the first trailer landed for The Giver it didn't look far removed from the heaps of YA adaptations we've been getting as of late, which is room enough ...
With test screenings recently taking place, an MPAA rating of R slapped on (for language throughout, some sexual content and brief violence) and as of this ...
Before he possibly jumps back into the technology world with a Christian Bale-led Steve Jobs biopic, David Fincher is hard at work at another dark crime ada...
Never one to fall in line with expectations, Baz Luhrmann's films are bold, visual feasts and his involvement with a project will immediately have us buying...
With a seemingly endless amount of streaming options -- not only the titles at our disposal, but services themselves -- we believe it's our duty to highlight ...
There is something appealingly ambiguous about the story at the heart of Hateship Loveship. It goes through the paces and hangs itself on the narrative framewor...
In theaters now, Ivan Reitman's new film, Draft Day, does quite a bit with a hard subject. Part of that is the writing, but a lot of the success on screen i...
Following his sudden, tragic death, Philip Seymour Hoffman's last appearance on screen will be the back-to-back finales to The Hunger Games, but when it com...
"I had done two films that IFC had been a part of, Tape and Waking Life, so when I had this idea, I guess in 2000 or 2001, I was talking to some people, and...
Dailies is a round-up of essential film writing and other highlights from our colleagues across the Internet -- and, occasionally, our own writers. If you'd...
