Who needs a real poster when you’ve got Denzel Washington as your lead? Paramount seems to have taken that approach when it comes to their upcoming drama Flight. We’ve got the first two posters today for Robert Zemeckis‘ drama, which is set for a NYFF debut soon, and they both feature Washington…and not much else. The international version goes as far as saying its the most provocative film of the year, so we’ll have to see whats in store when it lands next month.
We’ve also got some new posters for films that have already landed on the festival circuit. Premiering at Cannes, we’ve got a new poster above for Jacques Audiard‘s upcoming Rust & Bone with Marion Cotillard and Matthias Schoenaerts. Then below we’ve got the official US one-sheet for Leos Carax‘s wild Holy Motors. Lastly, we’ve got a new poster for Mike Newell‘s Great Expectations, which landed with a relatively tepid response last month. Check them all out thanks to Orange/HitFix/Empire.
Which film are you most looking forward to?
Since any New York City cinephile has a nearly suffocating wealth of theatrical options, we figured it’d be best to compile some of the more worthwhile repertory showings into one handy list. Displayed below are a few of the city’s most reliable theaters and links to screenings of their weekend offerings — films you’re not […]
In the case of evaluating David Cronenberg, — or at least forming the sort of career narrative seemingly essential to auteurist analysis — it’s inevitable to propose something of a rupture within his oeuvre: the very evident graduation from grindhouse to arthouse, and, with it, an ascension from body to mind. What dictated these labels […]
Every week we dive into the cream of the crop when it comes to home releases, including Blu-ray and DVDs, as well as recommended deals of the week. If we were provided screener copies, we’ll have our own write-up, but if that’s not the case, one can find official descriptions from the distributors. Check out […]
Writing about the films of Robert Bresson usually begins by informing reader that his films must be discussed through a trance of hushed tones and quiet veneration. There is no room for rushed judgement or quick-witted observations; Bresson makes Serious Art, as opposed to Hollywood directors who do not. There are the key phrases to […]
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