Set for a premiere at Cannes Film Festival on May 20th, one of our most-anticipated titles in the line-up is Ryan Gosling‘s directorial debut Lost River. With influences such as David Lynch, we got a few trippy images last month, but now a new batch have landed, featuring Eva Mendes, Christina Hendricks, Saoirse Ronan, Ben Mendelsohn, Matt Smith, and more.
Set against the surreal dreamscape of a vanishing city, the film follows a single mother of two who is swept into a macabre and dark fantasy underworld. Gosling also released a director’s statement ahead of the premiere, in which he honors his collaborations with Derek Cianfrance and Nicolas Winding Refn. Check out the images, new and old, below, as well as his director’s statement (thanks to a translation from a fan site) for the film that’s premiering in just under two weeks.
This film was, in a lot ways, a gift from the directors I’ve been working with over the last few years. I’ve gone between acting in films completely based in reality with Derek Cianfrance to the fevered dreams of Nicolas Winding Refn. I think I’ve vacillated between these two extremes because my own sensibilities as a filmmaker lay somewhere in-between.
It’s not until I had the opportunity to work on The Ides of March that I was introduced to Detroit, a place that is currently living on the border of those two realities. Although I was only there for a few days I couldn’t help but be affected by the city. It was on the verge of declaring bankruptcy. There were forty miles of abandoned neighborhoods and, within pockets of those neighborhoods, there were parents trying to raise their children on streets where houses were being burned and torn down around them. Detroit was the birthplace of the Model T, Motown and the middle class. It was, at one time, a postcard for the American Dream but now, for the families in these neighborhoods, the dream has become a nightmare. Having said that, there is still a lot of hope there. There is something very inspiring about the consciousness in Detroit. What it once was and will be again is still very much alive. I knew I had to make something there.
I kept returning over the following year, trying to document some of these neighborhoods before they were torn down or destroyed and I began to think of a story that took place not in Detroit, but in Lost River, an imagined city with an imagined past. As the elements of the story began to emerge; a family losing their home, a mysterious secret beneath the surface, I drew from the 80′s family fantasy films that I grew up with and filtered them through the sensibilities about film I’ve acquired since. With that, Lost River began to take shape for me in the form of a dark fairy tale with the city itself as the damsel in distress and the characters as broken pieces of a dream, trying to put themselves back together.
What do you think of the new images? Are you looking forward to Gosling’s directorial debut?
BAMCinématek A new series entitled “Black & White ’Scope: American Cinema” commences this weekend, and, as for the series itself, with a Wilder double-bill on Friday: The Apartment and One, Two, Three. Manhattan screens on Saturday, while The Hustler can be seen this Sunday. Museum of the Moving Image The Gordon Willis tribute concludes with […]
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