With the excellent, initial Toronto Film Festival 2012 title announcement this morning, the wave of first looks keep rolling in. We’ve got the first still from Sally Potter’s Ginger and Rosa, previously titled Bomb. One can see stars Elle Fanning and Alice Englert above in the period drama and they’re also joined by Timothy Spall,Oliver Platt, Jodhi May, Alessandro Nivola, Christina Hendricks and Annette Bening. The official synopsis reads, “As the Cold War meets the sexual revolution in 1960s London, the lifelong friendship of two teenage girls (Elle Fanning, Alice Englert) is shattered by ideological differences and personal betrayals.”
Shrek and Chronicles of Narnia director Andrew Adamson is also premieing a new film at the festival, which features House star Hugh Laurie. The first look today features Laurie and newcomer Xzannjah Matsi in the story that takes place during the Papa New Guinean civil war. Laurie plays “an eccentric schoolteacher [who] forms a unique bond with a young girl over their shared love for Charles Dickens‘ Great Expectations.” Check out the still below.
TIFF kicks off on September 6th and ends on September 16th.
With a seemingly endless amount of streaming options — not only the titles at our disposal, but services themselves — we believe it’s our duty to highlight the recent, recommended titles that have recently hit the interwebs. Every week, one will be able to see the cream of the crop (or perhaps some simply interesting picks) of [...]
Since any New York City cinephile has a nearly suffocating wealth of theatrical options, we figured it’d be best to compile some of the more worthwhile repertory showings into one handy list. Displayed below are a few of the city’s most reliable theaters and links to screenings of their weekend offerings — films you’re not [...]
After months of behind-the-scenes efforts, this weekend will bring the start of Jamieson McGonigle‘s Jesse James Revival, a fan-led initiative to bring Andrew Dominik‘s The Assassination of Jesse James by the Coward Robert Ford back to the big screen — as it was always meant to be seen, and, too, in the most pristine conditions [...]
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