After appearing together in Hart’s War and Tears of the Sun (see above), Cole Hauser is set to re-team with action star Bruce Willis for the fifth film in the John McClane franchise A Good Day to Die Hard. Deadline reports that the actor will join as a villain named Collins for the action film John Moore is currently in production on. We’ve also got our first fairly plain look at our star, along with a production logo.
Willis looks to be in fairly regular garb for the film that sees McClane head to Moscow to visit his estranged son (Jai Courtney) and they must save the world together. With Moore at the helm, coming off Max Payne, there is just little indication that this one will prove to be a worthwhile entry into the franchise. Add in a script from X-Men Origins: Wolverine writer Skip Woods and a February release date and this one smells trouble. Check out the photos below.
Since any New York City cinephile has a nearly suffocating wealth of theatrical options, we figured it’d be best to compile some of the more worthwhile repertory showings into one handy list. Displayed below are a few of the city’s most reliable theaters and links to screenings of their weekend offerings — films you’re not […]
In the case of evaluating David Cronenberg, — or at least forming the sort of career narrative seemingly essential to auteurist analysis — it’s inevitable to propose something of a rupture within his oeuvre: the very evident graduation from grindhouse to arthouse, and, with it, an ascension from body to mind. What dictated these labels […]
Every week we dive into the cream of the crop when it comes to home releases, including Blu-ray and DVDs, as well as recommended deals of the week. If we were provided screener copies, we’ll have our own write-up, but if that’s not the case, one can find official descriptions from the distributors. Check out […]
Writing about the films of Robert Bresson usually begins by informing reader that his films must be discussed through a trance of hushed tones and quiet veneration. There is no room for rushed judgement or quick-witted observations; Bresson makes Serious Art, as opposed to Hollywood directors who do not. There are the key phrases to […]
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