One of the best documentaries to premiere at Sundance Film Festival earlier this year, Soundtrack to a Coup d’Etat a radically and rhythmically edited look at global politics. Directed by Johan Grimonprez, the film was picked up by Kino Lorber for a November 1 theatrical release starting at NYC’s Film Forum and now the first trailer has landed.
Here’s the synopsis: “United Nations, 1960: the Global South ignites a political earthquake, jazz musicians Abbey Lincoln and Max Roach crash the Security Council, Nikita Khrushchev bangs his shoe, and the U.S. State Department swings into action, sending jazz ambassador Louis Armstrong to the Congo to deflect attention from the CIA-backed coup. Director Johan Grimonprez (dial H-I-S-T-O-R-Y, Shadow World) explores a moment when jazz, colonialism, and espionage collided, constructing a riveting historical rollercoaster that illuminates the political machinations behind the 1961 assassination of Congolese independence leader Patrice Lumumba. The result is a revelatory documentary richly illustrated by eyewitness accounts, official government memos, testimonies from mercenaries and CIA operatives, speeches from Lumumba himself, and a veritable canon of jazz icons. Soundtrack to a Coup d’Etat interrogates colonial history to tell an urgent and timely story that resonates more than ever in today’s geopolitical climate.”
John Fink said in his review, “It was Mark Twain who said, “History doesn’t repeat itself but it often rhymes,” which is one way of approaching Belgian filmmaker and multimedia artist Johan Grimonprez’s sprawling, jazz-infused Soundtrack to a Coup d’État. The political essay revisits 1960, a turbulent year in global affairs: Patrice Lumumba rises to power in Congo just as the United States, through the CIA-backed Voice of America radio network, aims to soften America’s image aboard, sending jazz musicians Louis Armstrong, Duke Ellington, Nina Simone, Dizzy Gillespie, Abbey Lincoln, and Max Roach to tour the world. The film positions the jazz musicians as a kind of political cabinet while Gillespie envisions his own run for the White House on TV talk shows back home. It proceeds with a rather kinetic, defiant tone in which the jazz, breaking news, citations, and quotes interrupt the historical footage a more standard documentary may have primarily focused on.”
See the trailer below.