Since the amazing “Ship’s Mast” sequence on the hood of the 1970 Dodge Challenger R/T in Quentin Tarantino’s Death Proof, Zoë Bell has slowly moved from pri...
One of the many fascinating documentaries playing at this year’s Tribeca Film Festival is Michael H. Profession: Director (read our review here), which prof...
Reaching for the Moon is a lush, erotic and mature drama chronicling several years (we're uncertain how long, but it's temporal disorientation is intentional) i...
Bottled Up, the second feature from writer/director Enid Zentelis, is a noble piece of independent filmmaking, determined to explore oft-examined dramatic situa...
Clark Gregg’s Trust Me is an often hilarious dark comedy, evolving into satire, veering towards drama and then continuing back to where it began. Where it goes ...
Here’s a film that will never be viewed in D.A.R.E. class. How to Make Money Selling Drugs takes the form of an infomercial, probing into the seemingly endless ...
Although only coined in the last decade, the "Manic Pixie Dream Girl" archetype can be traced back to screwball comedies and has been spoofed as early as Annie ...
Steph Green’s Run & Jump is a film that will grow on you, slowly and subtly absorbing you into its world. With an observant structure, we are the third whee...
Oh, the internet. I wonder if you really have lead to a decrease in my productivity: on one hand, it’s full of almost everything, including cute cats. Then ther...
