Serving as an engaging antithesis to last year’s Sound of My Voice (a cryptic piece of filmmaking that left a myriad of questions unanswered), Zal Batmanglij’s ...
If one were to ask what film is generating the most buzz at this year's Sundance Film Festival, the answer would most likely be the audacious and provocative Es...
To quote our very enthusiastic review, which went up recently from Sundance: "Stylishly directed and unnerving to its core, Mickle's We Are What We Are is ...
Point in fact, very little is necessary about Fredrik Bond's mostly dreadful feature debut The Necessary Death of Charlie Countryman. Starring Shia LaBeouf as t...
Though most of us haven't yet seen Drake Doremus's Breathe In, his follow-up to the Sundance-winning Like Crazy, most of the early reactions -- including our ow...
The Way, Way Back, written and directed by Nat Faxon and Jim Rash, is the kind of independent film the Sundance Film Festival has become synonymous with: a wide...
The business wheels are officially churning over at the Sundance Film Festival. Yesterday brought announcements of a handful of major acquisitions, includin...
Writer/Director Jim Mickle is no stranger to indie horror films, having had a fairly successful run with his 2010 vampire thriller Stakeland. That same year, an...
With expectations mounting as the years ticked by, those that have witnessed the intricately detailed and mind-bending time-travel film Primer have been patient...
Spanning the course of 18 years, Richard Linklater's incomparable Before trilogy establishes itself as one of - if not the - great American chronicles of our ti...
