The jealousy of unhappy couples. The pettiness of mean girls. The frustration of insecure husbands. It’s a tale as old as time that's curiously interpreted...
Taking on the art world is notoriously difficult—it’s already too ridiculous, and so the heightening of reality necessary for proper satire doesn’t work. There...
Working with her sister Anna—a 38-year-old Korean adoptee with a developmental disability—director Liz Sargent’s sensitive drama Take Me Home is both witty and...
In dance, you have to lead with confidence. Your partner looks to you for guidance, and they require you to look back at them responsively, to move instinc...
Gold is such an apt metaphor for greed. It’s shiny, it’s heavy, it’s superficial, and it’s obtained through someone’s hard labor. That labor is carried on ...
Rock Springs works within a familiar genre framework––a family moves to a home in a town filled with strange people and is promptly haunted by spirits––to prob...
An exacting, well-articulated portrait of a Kosovan family in crisis as they attempt to make ends meet, Shame and Money confronts anxieties in a life drown...
There’s always been something sexy about the image of the cowboy, which has been praised as a portrait of good, old-fashioned masculinity as much as it’s been ...
Even before his campaign for the removal of indigenous people from their land in the 1800s, Thomas Jefferson was pillaging burial grounds under the guise o...
A kaleidoscopic celebration of creativity and inquiry into the boundaries of free speech, David Shadrack Smith’s Public Access revisits the birth of cable tele...
