Before this weekend, it didn't seem very likely that we'd find some clear connection between the productions of Paul Schrader's The Canyons and Spike Jonze'...
With a seemingly endless amount of streaming options -- not only the titles at our disposal, but services themselves -- we believe it's our duty to highlight ...
What follows is nothing short of staggering: as a celebration of their seventieth anniversary, the Venice International Film Festival commissioned seventy f...
As both a filmmaker and figurehead of independent cinema of the '80s and '90s, Spike Lee has never show himself afraid to travel down new routes, seeing whe...
The current economic model has been tough on Paul Schrader, whose preference for dark, old-fashioned, and uncompromised filmmaking is exactly the combination m...
The Archive is a collection of cinephile-friendly findings around the web, including rare or never-before-seen photos, interviews, footage or any other bits r...
“Paul Schrader’s Los Angeles has changed,” writes Nick Newman in our review of The Canyons, the aforementioned helmer's first film since 2008’s Adam Resurre...
Much of the publicity surrounding Paul Schrader's latest feature, the partially crowd-sourced erotic Los Angeles-set drama The Canyons, has much more to do ...
With a seemingly endless amount of streaming options -- not only the titles at our disposal, but services themselves -- we believe it's our duty to highlight ...
Off the Black, James Ponsoldt's feature debut as a writer-director, premiered at the Sundance Film Festival in 2006, when Ponsoldt was nearing his thirties....
