After the detour of El Conde, Pablo Larraín returns with a study of opera singer Maria Callas, thus closing out a triptych of films on glamorous women, gilded ...
Unless you're a major studio or willing to pay for a rent-spiked ski lodge––and even then––few festivals ring more exclusive than Telluride, which has the dist...
Returning almost a decade after her last feature Chevalier, Greek director Athina Rachel Tsangari is back this year with Harvest, which is coming to Venice, TI...
Here’s a film that asks, in the vein of another's title: did you wonder who fired the gun? Yet in Mohammad Rasoulof’s The Seed of the Sacred Fig, which is set ...
Before highlighting 40 films confirmed to be arriving in theaters this fall that you should have on your radar, we turn our attention to the festival-bound fil...
Celebrating twenty years, Venice Days (aka Giornate degli autori) is kicking off this week alongside the Venice International Film Festival with a jury headed ...
Following their intial announcements, the 62nd New York Film Festival has now unveiled its final film section: Revivals, featuring significant works from renow...
We're now just a short time away from the world premiere of Pedro Almodóvar's first English-language feature at Venice Film Festival. The Room Next Door, starr...
Indiewire having encouraged us to reminisce about the 2000s through its recent Best of the Decade list, there's the reminder of one key thread defining that er...
Pia Marais’ Transamazonia seeks to connect us to its characters and the environment containing them, but we leave the film far more imprinted by the latter. Th...
