Note: This review was originally published as part of our 2025 Cannes coverage. Ghost Trail opens in theaters on May 30.
We begin with music that's uncharac...
After crafting a promising debut with The Sharks, a Best Director winner at Sundance in 2019, Uruguayan filmmaker Lucía Garibaldi is back with her second featu...
Far removed from the mournful yearnings of A Quiet Passion––much less the quotidian, calming rhythms of Paterson––Simón Mesa Soto’s Medellín-set second feature...
Note: This review was originally published as part of our 2024 Cannes coverage. Ghost Trail opens in theaters on May 30.
The wars in Gaza and Ukraine have d...
The 78th edition of the Cannes Film Festival has now concluded, with Jafar Panahi's It Was Just an Accident taking home the Palme d'Or (see all jury winners he...
Book adaptations yield two kinds of films: those that transliterate and those that translate. While the former insist on keeping the source material's spir...
What is love? For some, it is mutuality––a chemistry, care, and concern that blossoms into an equally supportive relationship. For others, it is devotion––...
It’s common for a successful artist to be asked about advice they'd give their younger self; one film from this year’s Cannes Specials selection does the oppos...
Juliette Binoche's Cannes jury has unveiled their winners for this year's edition, awarding the Palme d'Or to Jafar Panahi's It Was Just an Accident, marking N...
Few filmmakers with just two features under their belt can amass the passionate, cinephilic following of Bi Gan. His blend of surrealist storytelling, ultr...
