In Universal Language, a man makes a journey to his childhood home and meets the family now living there––these are at least the broad strokes. The director is...
In The Surfer, an exploitation film set to pressure-cook, a mild-mannered man is pitted against a group who even Andrew Tate might find a touch extreme. It's s...
Up to this point, Mikey Madison––the fearless, explosive 27-year-old lead of Sean Baker’s Anora––is best-known for her chilling turn as the deranged killer in ...
Aside from Jean-Luc Godard's last film, one of the shortest premieres at the Cannes Film Festival that was among our most-anticipated is Leos Carax's 40-minute...
“We humans are capable of greatness,” reads the first line in Cristóbal León and Joaquín Cociña’s The Hyperboreans as the narrator’s voice beams from an old TV...
The tragic predicament of the Palestinians and what they’re now being subjected to begs to be analyzed and dissected, with various areas of dubious historical ...
David Cronenberg's films have often imagined a future where technology would find a way into our collective id. 55 years into the director's incomparable caree...
For a biopic about Donald Trump, The Apprentice is surprisingly concerned with other things. The film has exactly what you might expect and somehow a curiosity...
How is a child’s life different from that of adults today? What is it like growing up around stimuli, in a world that is always-online, and with varying degree...
The Cannes crush can be so unforgiving. This year's case in point: Misericordia has premiered to relatively little notice despite being the latest by the great...
