Eight years after My Life as a Zucchini premiered in Directors' Fortnight en route to winning two Césars (and nabbing one Oscar nomination), Swiss director Cla...
In the derelict, scraggly city in northwest China where Guan Hu’s Black Dog is set, human life has all but disappeared and canines have replaced their masters....
Matthieu Laclau is a French editor who has been working in China and Taiwan since 2008. His collaboration with director Jia Zhangke in A Touch of Sin won him B...
When we say a filmmaker is in another league, we typically mean it in a good way––they’re a cut above the rest. But when we say it about Guy Maddin, it doesn’t...
“Everyone has at least one person in Mumbai.” “There’s work and money in Mumbai. Who would want to go back?” “You better get used to the impermanence.” Like po...
In a career spanning four decades and eight features, Alain Guiraudie has cemented himself as one of our most astute chroniclers of desire. If there’s any leit...
The 76th edition of the Cannes Film Festival has now concluded, with Sean Baker's Anora taking home the Palme d'Or. While our coverage will continue with a few...
Headlines read, "Leos Carax Bring Back Baby Annette to the Croisette," but this is only half the truth. Yes, the legendary puppet makes a comeback in C’est Pas...
For his tenth Cannes feature premiere, Arnaud Desplechin chose to present a docu-fictional love letter to cinema. Two years after Brother and Sister was in Com...
The chic balconies of Marseille certainly offer an image that is photogenic enough to open Noémie Merlant’s sophomore feature, The Balconettes, especially as s...
