We see less and less of female actors as they age, the talents often forced into retirement by a lack of interesting parts and the overall sexism of the enterta...
Pasolini included an “essential bibliography” in the opening credits of Salò, or the 120 Days of Sodom, proffering five philosophical titles by the likes of Rol...
Few Cannes titles intrigue as highly as the festival's opener, Ismael's Ghosts, which writer-director Arnaud Desplechin (following up My Golden Days) told m...
If the last 69 years are any indication, in one month many of the year's best films will begin to premiere at the Cannes Film Festival. With the 70th edi...
The line-up for our most-anticipated cinema-related event of the year is here. With a jury headed up by Pedro Almodóvar, who came to the festival last year ...
Considering it debuted at Cannes over 19 months ago, it's reasonable that Arnaud Desplechin's My Golden Days can get a bit lost in year-end discussion, but ...
