So's begun the march to 2024's first major film. Just a week since Janus and Sideshow announced Bertrand Bonello's The Beast will begin its U.S. run on April 5...
One of the most purely entertaining viewing experiences at Sundance Film Festival this year was Rose Glass' Love Lies Bleeding, which is quite a level up in te...
It was more than eight years ago that the virtually unknown Ryusuke Hamaguchi premiered Happy Hour, a five-hour narrative masterclass about four thirty-somethi...
“A director can’t understand the final result from a description. You cannot describe music; it needs to be listened to.” So says Ennio Morricone in one of man...
There is very little written in the English language about the cinema of Bhutan, with only the broadest overviews of this still-emerging industry to be found a...
Across her five previous features, Austrian director Jessica Hausner (Amour Fou, Lourdes, Little Joe) has developed a distinctly unique tone and now she's back...
The solo (narrative) directorial debut from Ethan Coen. A cast including Margaret Qualley, Geraldine Viswanathan, Beanie Feldstein, Pedro Pascal, Colman Doming...
Juliette Binoche has impeccable taste. The French actress, who has been gracing the screen for over four decades, continues to work with directors that push th...
While Indiana Jones and the Dial of Destiny perhaps garnered more press out of Cannes Film Festival last year, it was another selection involving archaeologist...
Welcome to a new episode of The Film Stage Show! On a new episode, Brian Roan and Robyn Bahr are joined by special guest Jason LeRoy to discuss Andrew Haigh's ...