The Film Stage - Page 84

Lucrecia Martel Makes Documentary Debut In Landmarks Trailer

Eight years since Zama and more than two since she shared details, Lucrecia Martel has returned with her first feature-length documentary, Landmarks (Nuestra T...

Steven Spielberg Praises Paul Thomas Anderson’s One Battle After Another: “What an Insane Movie”

With less than three weeks until the release of Paul Thomas Anderson's One Battle After Another, the director has finally unveiled his highly anticipated epic ...

A Future Ukraine is Imagined in Exclusive Trailer for Valentyn Vasyanovych’s To the Victory!

After landing on our radar with his remarkable, formally fascinating Atlantis, Ukrainian director Valentyn Vasyanovych has returned with To the Victory!, which...

A Buñuelian Fable Unfolds in Exclusive Trailer for Karla Badillo’s TIFF Premiere Oca

Making its world premiere this Tuesday as part of the 50th Toronto International Film Festival's Discovery section, Karla Badillo's directorial debut Oca tells...

TIFF Review: Romain Gavras’ Sacrifice is a Pop Satire That Falls Flat

It’s not too grand a statement to say the environment you watch a film in will heavily impact how you feel about it. This was the case with Sacrifice, a suppos...

Die My Love Trailer: Jennifer Lawrence and Robert Pattinson Unravel in Lynne Ramsay’s Psychological Drama

After a Cannes Film Festival premiere, it was rumored that Lynne Ramsay went back to the editing room to tighten up Die My Love, her first feature since 2017's...

TIFF Review: Bouchra is an Aesthetically Bold, Personal Animation

Based on a real-life conversation shared by co-director Meriem Bennani and her own mother, Bouchra (co-directed with Orian Barki and co-written by them and Ayl...

Venice Review: Pietro Marcello’s Duse Serves a Straightforward Tribute to a Legendary Prima Donna

In 1921, three years since the end of WWI, a train departed the small town of Aquileia in northeastern Italy. Draped in flags and wreathes, it carried the coff...

Telluride Review: The Bend in the River Aches For What Was and May Never Come Again

The Bend in the River, director Robb Moss' third installment in his running chronicle of his friends' lives (following The Same River Twice in 2003 and Riverdo...

Venice Review: Pin de Fartie Is a Playful, Head-Spinning Take on Samuel Beckett

Since the early 2000s, the fiercely independent Argentine filmmaking collective El Pampero Cine has built a sui generis filmography by shirking conventions...

News

Japan Cuts Announces 2026 Slate Featuring Hirokazu Kore-eda, Gakuryu Ishii, Yoji Yamada & More

Alice Rohrwacher to Direct The Baron in the Trees; Next Film to Be Primarily Silent

Cristian Mungiu’s Fjord Wins Palme d’Or: See Full List of Cannes 2026 Winners

Trailers

I Want Your Sex Teaser: Gregg Araki Returns with Olivia Wilde and Cooper Hoffman

Whalefall Trailer: Austin Abrams Gets Trapped In the Belly of the Beast

Once Upon a Time in Harlem Teaser: The Documentary of The Year (and 1972) Arrives This October

Reviews

Disclosure Day Review: A Soul-Searching, Spine-Tingling Blockbuster Triumph

Tribeca Review: Ponderosa Takes Enigmatic, Comic Aim at America’s National Myths

Tribeca Review: The Revisionist Is a Comedy of Manners That Turns Convoluted

Features

NYC Weekend Watch: Italian History, Universal Westerns, Black Cops & More

Posterized June 2026: Maddie’s Secret, The Furious, Drunken Noodles & More

New to Streaming: Pillion, Is God Is, Erupcja, Omaha & More

Interviews

“The Hard Work Is In the Screenwriting”: John Sayles on Resourceful Filmmaking, James Cameron, and His TIFF Retrospective

The Currents Director Milagros Mumenthaler on Sensory Filmmaking, Motherhood, and Capturing an Internal State

“Making Movies Should Be a Pleasure”: Olivier Assayas on The Wizard of the Kremlin

Podcasts

The B-Sides of Goldie Hawn with Jen Johans

The B-Sides of Laurence Fishburne with Mitchell Beaupre

The B-Sides of Eddie Murphy with Nicholas Gray and Alvin Keith

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