Whatever acclaim––nay, outright-legendary status––is foisted upon Michelangelo Antonioni typically comes from a small selection of films produced in the 1960s....
Canadian director Guy Maddin embraces absurdity. Along with his co-writers and directors Evan and Galen Johnson, Maddin has added to his surrealist oeuvre with...
Although his illustrious career has been ongoing for decades, this year marks quite a major milestone for Pedro Almodóvar. He premiered his very first English-...
Happy Halloween from The B-Side! Here we talk about movie directors! Not the movies that made them famous or kept them famous, but the ones that they made in b...
In Charlie McDowell’s last feature, Windfall, the ambitious (though largely unsuccessful) idea was to put the audience in a stressful situation (à la Hitchcock...
Bringing a pristine level of craft with their portraits of subcultures in The Last Race and The Truffle Hunters, Gregory Kershaw and Michael Dweck turned their...
The Line is unpleasant. But then it should be, shouldn't it? Written by Ethan Berger and Alex Russek and directed by Berger in his feature debut, this is a fil...
Each week we highlight the noteworthy titles that have recently hit streaming platforms in the United States. Check out this week’s selections below and past r...
On September 22, 1975, Sara Jane Moore, a 45-year-old single mom, drove into downtown San Francisco, pushed her way to the front of a crowded barricade, reache...
NYC Weekend Watch is our weekly round-up of repertory offerings.
BAMFilms by Warren Beatty, Mike Judge, and more play in Facing the Future; the restoration ...