The Film Stage - Page 60

Cannes Review: Sean Baker’s Anora is a Devastating, Gut-Busting Beauty

Up to this point, Mikey Madison––the fearless, explosive 27-year-old lead of Sean Baker’s Anora––is best-known for her chilling turn as the deranged killer in ...

An Anime Landmark Returns In Trailer for Ghost in the Shell 2: Innocence‘s 4K Restoration

It's opportune timing for a 4K restoration of Ghost in the Shell 2: Innocence, the only anime feature to debut in competition at the Cannes Film Festival. The ...

First Footage From Leos Carax’s It’s Not Me Reflects on a Visionary Career

Aside from Jean-Luc Godard's last film, one of the shortest premieres at the Cannes Film Festival that was among our most-anticipated is Leos Carax's 40-minute...

Cannes Review: The Hyperboreans is Cristóbal León and Joaquín Cociña’s Warning Against Political Amnesia

“We humans are capable of greatness,” reads the first line in Cristóbal León and Joaquín Cociña’s The Hyperboreans as the narrator’s voice beams from an old TV...

The Film Stage Show Classic – Field of Dreams (with Noah Gittell)

Welcome to a new episode of The Film Stage Show! Brian Roan and Robyn Bahr discuss Field of Dreams (now streaming on Prime Video) in a special Classic episode ...

Cannes Review: To a Land Unknown Tells a Bitter Poem of Palestinian Exile

The tragic predicament of the Palestinians and what they’re now being subjected to begs to be analyzed and dissected, with various areas of dubious historical ...

Cannes Review: The Shrouds is a Low-Key Chiller from David Cronenberg

David Cronenberg's films have often imagined a future where technology would find a way into our collective id. 55 years into the director's incomparable caree...

Cannes Review: The Apprentice is a Deep-Dive Diss of Donald Trump and the American Soul

For a biopic about Donald Trump, The Apprentice is surprisingly concerned with other things. The film has exactly what you might expect and somehow a curiosity...

Cannes Review: Renate Reinsve Proves Brilliant in Halfdan Ullmann Tønde’s Debut Armand

How is a child’s life different from that of adults today? What is it like growing up around stimuli, in a world that is always-online, and with varying degree...

A Vittorio De Sica Masterwork is Restored in New Trailer for Shoeshine

While certainly best-known for Bicycle Thieves, Vittorio De Sica's vast, varied body of work is worth diving into. This June, those in NYC can experience quite...

News

Criterion Collection’s February 2025 Lineup Features Paul Thomas Anderson, Jean-Luc Godard, Crossing Delancey & More

Exclusive: New Restoration of Queer Drama By Hook or By Crook Acquired by Altered Innocence for Spring 2025 Release

Tilda Swinton Says The Room Next Door May Be Her Last Film as New Trailer Arrives

Trailers

Pamela Anderson is The Last Showgirl in First Trailer for Gia Coppola’s Drama

Exclusive U.S. Trailer for Endless Summer Syndrome Unveils Provocative French Drama

Beatles ’64 Trailer: Martin Scorsese Captures the Band’s First Visit to America

Reviews

Allen Sunshine Review: A Tranquil Debut Feature with a World of Feeling

Gladiator II Review: Ridley Scott’s Sequel Bests Predecessor By Going Dumb

Riga Review: Dreamy Stereoscopic 3D Folk Tale Twittering Soul is One of a Kind

Features

New to Streaming: Megalopolis, Rumours, Look Into My Eyes, An Almost Christmas Story, and More

NYC Weekend Watch: The Limits of Control, Ealing Studios & More

The Best Movies Now Playing in Theaters

Interviews

Payal Kapadia on All We Imagine as Light, Impermanence, Magical Realism, and Trilogy Plans

Barry Keoghan on Young Fatherhood, Loving La La Land, and the Movement of Andrea Arnold’s Bird

NYC Weekend Watch: Ken Kelsch, Il Grido, Flesh for Frankenstein 3D & More

Podcasts

The B-Side – Gwyneth Paltrow (with Cory Everett)

The B-Side – Vincent Price (with Gavin Mevius)

The B-Side – Tim Burton (with Maria Lewis)

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