In Universal Language, a man makes a journey to his childhood home and meets the family now living there––these are at least the broad strokes. The director is...
In The Surfer, an exploitation film set to pressure-cook, a mild-mannered man is pitted against a group who even Andrew Tate might find a touch extreme. It's s...
Up to this point, Mikey Madison––the fearless, explosive 27-year-old lead of Sean Baker’s Anora––is best-known for her chilling turn as the deranged killer in ...
It's opportune timing for a 4K restoration of Ghost in the Shell 2: Innocence, the only anime feature to debut in competition at the Cannes Film Festival. The ...
Aside from Jean-Luc Godard's last film, one of the shortest premieres at the Cannes Film Festival that was among our most-anticipated is Leos Carax's 40-minute...
“We humans are capable of greatness,” reads the first line in Cristóbal León and Joaquín Cociña’s The Hyperboreans as the narrator’s voice beams from an old TV...
Welcome to a new episode of The Film Stage Show! Brian Roan and Robyn Bahr discuss Field of Dreams (now streaming on Prime Video) in a special Classic episode ...
The tragic predicament of the Palestinians and what they’re now being subjected to begs to be analyzed and dissected, with various areas of dubious historical ...
David Cronenberg's films have often imagined a future where technology would find a way into our collective id. 55 years into the director's incomparable caree...
For a biopic about Donald Trump, The Apprentice is surprisingly concerned with other things. The film has exactly what you might expect and somehow a curiosity...