Even for the twisty paranoid thriller sub-genre, there is a whole lot going on in Yann Gozlan's Black Box. Not boring yet not quite enveloping, the film never ...
Immediately setting a buoyant, vibrant tone that carries through the rest of the film, Charline Bourgeois-Tacquet’s Anaïs in Love makes one of 2022's finest de...
Following The Wild Pear Tree, Turkish master Nuri Bilge Ceylan has been working on his next feature for some time and is poised for a return to Cannes Film Fes...
There's a moment in Hello, Bookstore, directed by A.B. Zax, wherein Matt Tannenbaum––owner of The Bookstore in Lenox, Massachusetts––spots a happy customer pic...
Slipping back into a genre she knows well, Maika Monroe leads Watcher, a slow-burn thriller with a sense of paranoia seeping into every frame. Directed and co-...
The May 2022 lineup at MUBI here in the United States has been unveiled, most notably featuring a Cannes Takeover timed with the 75th edition of the festival. ...
The summer season is upon us and, per each year, we've dug beyond studio offerings (though a few potential highlights remain) to present an in-depth look at wh...
It's been a long wait for the release of Jerrod Carmichael’s sharp, darkly funny debut On the Count of Three. After premiering at Sundance Film Festival last y...
One of the most ravishing, enveloping theatrical experiences I had last year was with Michelangelo Frammartino’s long-awaited return, Il Buco. The latest film ...
Welcome, one and all, to the latest episode of The Film Stage Show! Today, Brian Roan, Robyn Bahr, and Bill Graham are excited to welcome back a very special g...