The Film Stage - Page 228

Longlegs Trailer: Maika Monroe is Looking for Nicolas Cage in Mystery Thriller

In an era of marketing where most studios just drop a full-length trailer on YouTube and in theaters, hoping viewers will be impressed enough to buy tickets ev...

Cannes Review: Yorgos Lanthimos’ Kinds of Kindness is an Anthology Film of Dark if Slight Delights

This one is for the true Lanthimites, the Dogtooth sisters, the biscuit women, The Killing of a Sacred Deer heads, a film to which the callbacks are so abundan...

Cannes Review: Carson Lund’s Eephus is the Definitive Baseball Hangout Movie

If the perfect sports movie illuminates the fundamentals that make one fall in love with the game, there may be no better movie about baseball than Carson Lund...

Cannes Review: Oh, Canada Finds Paul Schrader Meditating on the Indignities of Dying

The cinema of Paul Schrader has always felt like a confessional, all those dark rooms and troubled men, the registered Swiftie's own tortured poets department....

Cannes Review: In Christmas Eve in Miller’s Point, Cinema and Family Beautifully Come Together

Writing on Martin Scorsese's Shutter Island in 2010, Anthony Lane whipped a quote from Umberto Eco: "Two cliches make us laugh but a hundred clichés move us, b...

Cannes Review: Francis Ford Coppola’s Megalopolis is a Garish Wonder to Behold

If you dove head first into Francis Ford Coppola’s Megalopolis, you would get a concussion. The filmmaker’s supposed opus––a glitzy, gargantuan, long-gestating...

Francis Ford Coppola on Having No Regrets with Megalopolis and the Films He’d Never Re-Edit

After batting around the mind of Francis Ford Coppola for nearly half-a-century, Megalopolis was bestowed upon the world yesterday at the Cannes Film Festival....

Pablo Larraín: Apichatpong Weerasethakul’s Films Make “Me Feel Less Lonely”

Launched last year by Wes Anderson's producing partners at Indian Paintbrush, GALERIE has emerged as a well-curated film club publishing unique selections of f...

Cannes Review: In Bird, Andrea Arnold’s Experiment in Magical Realism Rarely Takes Off

This year's Cannes competition began with a film set in a working-class environment where a young woman with a single mother dreamed of escaping it all through...

Watch Martin Scorsese’s Bleu de Chanel Ad Starring Timothée Chalamet

Martin Scorsese's latest directorial effort and first collaboration with Timothée Chalamet is upon us––it just happens to clock at 1/206th Killers of the Flowe...

News

Exclusive: Altered Innocence Acquires Restoration of Srđan Karanović’s Virgina for Fall Release

Japan Cuts Announces 2026 Slate Featuring Hirokazu Kore-eda, Gakuryu Ishii, Yoji Yamada & More

Alice Rohrwacher to Direct The Baron in the Trees; Next Film to Be Primarily Silent

Trailers

Cemre Paksoy’s Hands Are Tied In Trailer for Georgia Bernstein’s Sinister Sundance Favorite Night Nurse

Marcello Mastroianni Yearns In Trailer for 4K Restoration of Luchino Visconti’s White Nights

Exclusive Trailer for Greg Vrotsos’ Feature Debut Situations Follows a Journey of Love and Ambition in Los Angeles

Reviews

The Death of Robin Hood Review: A Portrait of the Outlaw as a Bald-Faced Lie

Tribeca Review: Here I’m Alive Is a Raw, Intimate Look at Messy New York Lives

I Am Frankelda Review: Mexico’s First Stop-Motion Feature Speaks Truth to Power

Features

New to Streaming: Blue Film, I Am Frankelda, It’s Dorothy! & More

The Best Movies Now Playing in Theaters

NYC Weekend Watch: Douglas Sirk in 3D, The Organizer, Body Double & More

Interviews

“The Hard Work Is In the Screenwriting”: John Sayles on Resourceful Filmmaking, James Cameron, and His TIFF Retrospective

The Currents Director Milagros Mumenthaler on Sensory Filmmaking, Motherhood, and Capturing an Internal State

“Making Movies Should Be a Pleasure”: Olivier Assayas on The Wizard of the Kremlin

Podcasts

The B-Sides of Goldie Hawn with Jen Johans

The B-Sides of Laurence Fishburne with Mitchell Beaupre

The B-Sides of Eddie Murphy with Nicholas Gray and Alvin Keith

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