The Film Stage - Page 221

The B-Side – 2023 Oscars Special (with Joe Reid & Chris Feil of This Had Oscar Buzz)

Welcome to The B-Side, from The Film Stage. Here we usually talk about movie stars and not the movies that made them famous or kept them famous, but the ones t...

New to Streaming: Marlowe, Obsession, Triangle of Sadness, Jackass Forever & More

Each week we highlight the noteworthy titles that have recently hit streaming platforms in the United States. Check out this week’s selections below and past r...

True/False Review: Ramona Incisively Contests Traditional Casting Practices

What is the criteria for playing a character based on a factual person? How much artistic license is granted toward playing such a character in a fiction piece...

NYC Weekend Watch: Dressed to Kill, La Notte, Safe & More

NYC Weekend Watch is our weekly round-up of repertory offerings. Roxy CinemaDressed to Kill and Chabrol's The Champagne Murders have 35mm showings; Mary Bro...

Change the Way You Hear Movies in First Trailer for Sam Green’s 32 Sounds

A filmmaker focused on the experience of watching (and, primarily, listening), Academy Award-nominated director Sam Green's projects are best experienced live,...

The Criterion Collection Announces Pier Paolo Pasolini Box Set, Arriving This June

Following Ingmar Bergman, Agnès Varda, Bruce Lee, Federico Fellini, Godzilla, and Wong Kar Wai, the next major box set collection coming from the Criterion Col...

8 Films to See at MoMI’s First Look 2023

Now in its 12th edition, the Museum of the Moving Image’s First Look festival brings together a varied, eclectic lineup of cinema from all corners of...

Rooney Mara to Star in Zach Cregger’s Barbarian Follow-Up Weapons

After a major bidding war, Zach Cregger's Barbarian follow-up Weapons landed at New Line and now we have a few major updates. With a shoot set to kick off this...

Berlinale Review: Philippe Garrel’s The Plough is a Briskly Charming, Bracingly Anachronistic Family Affair

In 1947, ten years before becoming an actor, Philippe Garrel’s father, Maurice, joined a company of puppeteers. That piece of history is like a well of inspira...

Therapy Dogs Review: Smells Like Teen Spirit

My high school days ended before social media and school-shooting drills. We just had the odd bomb threat, apple exploding against an unsuspecting student's sk...

News

James Gray to Direct Adam Driver, Jeremy Strong, and Anne Hathaway in Paper Tiger

Tarsem Singh, Jaume Collet-Serra, Kim Jee-woon, Paul W.S. Anderson & More Set Next Films

Metrograph Launches Print Publication with Inaugural Issue Featuring Ryusuke Hamaguchi, Clint Eastwood, Ari Aster & More

Trailers

The End Trailer: Tilda Swinton, Michael Shannon, and George MacKay Ring in the Apocalypse

Michel Gondry Returns to Animation in First Trailer for Maya, Give Me a Title

Steven Soderbergh Tells a Ghost Story in New Trailer for Presence

Reviews

AFI Review: Vermiglio Paints a Lyrical Portrait of Desires Constrained by Catholicism

Paddington in Peru Review: Threequel Fails to Climb to Franchise Heights

Juror #2 Review: Courtroom Thriller Represents the Best from Clint Eastwood’s Late Era

Features

Tokyo International Film Festival Artistic Director Ichiyama Shôzô Offers Insight Into a Growing Organization

Posterized November 2024: A Traveler’s Needs, Queer, Flow, Bird & More

New to Streaming: Catherine Breillat, The Substance, Last Things, The Apprentice, and More

Interviews

“Less Money, More Liberty”: Paulo Branco on a Cinematic Life with David Cronenberg, Manoel De Oliveira, and Raúl Ruiz

“Nobody Ever Gave Me Anything”: Alan Rudolph on Robert Altman, Bruce Willis, Kurt Vonnegut, and Resurrecting Breakfast of Champions

Soundtrack to a Coup d’Etat Director Johan Grimonprez on a Jazz-Fueled, Kaleidoscopic Vision of Displaced Blackness

Podcasts

The B-Side – Vincent Price (with Gavin Mevius)

The B-Side – Tim Burton (with Maria Lewis)

The Film Stage Show Farewell Episode – Megalopolis

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