The Film Stage - Page 201

First Trailer for Takeshi Kitano’s Epic Kubi Arrives Ahead of Cannes 2023 Premiere

One of our most-anticipated films in the Cannes Film Festival 2023 lineup is the latest work from Japanese filmmaker Takeshi Kitano. Kubi, set to debut in the ...

Celebrate Ryuichi Sakamoto’s Gifts to Cinema In Exclusive Trailer for Metrograph’s New Retrospective

Ryuichi Sakamoto's death sent waves of shock and grief alike, the rare passing that suggested losing some necessary force in the universe. It would be true for...

Apichatpong Weerasethakul on Evolving Cinematic Memories and a Shared Global Consciousness

It’s often said that the sign of a true craftsman is the ability to make complex tasks look effortless (there’s even an Italian phrase for this skill, “sprezza...

T.S. Eliot’s Four Quartets Review: A Masterpiece Recited & Reimagined For Our Perilous Times

Art made during COVID––more specifically during quarantine and before / at the very beginning of the vaccine rollout––will surely hold an added weight as histo...

Listen to a New Album of Film Scores by Bertrand Bonello

Before presenting his latest masterwork Coma at Toronto's Innis Town Hall this Thursday, May 4––TFS readers get a 10% discount with the code "TFSComa"––I'm del...

5 Must-See Films at Prismatic Ground 2023

Prismatic Ground is becoming a must-attend filmmaker-centered showcase on the rise for underground documentaries, avant-garde, and experimental cinema in the h...

Cyprus Film Days Review: Love Dog Conjures a Vivid, Engrossing Study of Mourning

Late into Bianca Lucas’ feature debut, a character ventures a few verses: “Listen to the moan of a dog for its master / That whining is the connection / There ...

First Look at Natalie Portman & Julianne Moore in Todd Haynes’ May December

After exploring the history of the Velvet Underground, Todd Haynes is returning with his first narrative feature since 2019's severely overlooked Dark Waters t...

32 Sounds Review: Sam Green Makes Sound Great Again

As engaging and impressive a documentary as you're going to see, 32 Sounds starts with a kind of obvious––yet eminently under-asked––question: why do most of u...

Cyprus Film Days Review: Greek Weird Wave-Infused Silence 6-9 is a Mysterious, Lopsided Lesson in Letting Go

In August 2011, The Guardian ran a two-page spread that wound up christening a brand-new cinematic movement. Written by Steve Rose, “Attenberg, Dogtooth, and t...

News

Léa Seydoux, Lee Kang-sheng, Margaret Qualley, Steven Yeun, Natalie Portman, Armie Hammer & More Set Next Roles

Exclusive: Paul Schrader’s Next Films Involve a Pederast Professor and a Wall Street-Set Erotic Thriller

2024 Gotham Awards Nominations Unveiled

Trailers

Michel Gondry Returns to Animation in First Trailer for Maya, Give Me a Title

Steven Soderbergh Tells a Ghost Story in New Trailer for Presence

Exclusive Trailer for Jōhatsu, a Lithuanian Thriller Exploring a Japanese Phenomenon

Reviews

Juror #2 Review: Courtroom Thriller Represents the Best from Clint Eastwood’s Late Era

The Graduates Review: A Melancholic Look at a Community Bonded by Tragedy

AFI Fest Review: Robert Zemeckis’ Here Plays Like the Anti-Boyhood

Features

New to Streaming: Catherine Breillat, The Substance, Last Things, The Apprentice, and More

NYC Weekend Watch: “Silent” Movies, Godzilla & More

17 Films to See in November

Interviews

“Nobody Ever Gave Me Anything”: Alan Rudolph on Robert Altman, Bruce Willis, Kurt Vonnegut, and Resurrecting Breakfast of Champions

Soundtrack to a Coup d’Etat Director Johan Grimonprez on a Jazz-Fueled, Kaleidoscopic Vision of Displaced Blackness

The Making of the Indian Sci-Fi Box-Office Sensation Kalki 2898 AD

Podcasts

The B-Side – Vincent Price (with Gavin Mevius)

The B-Side – Tim Burton (with Maria Lewis)

The Film Stage Show Farewell Episode – Megalopolis

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