If there’s one sin in criticism that many writers––myself included––fall victim to at one point or another, it’s assessing a film’s narrative by comparing it t...
Cinephile Game Night has returned with Cinephile Summer, a brand new season featuring your favorite podcasters and filmmakers going head-to-head to see who is ...
Wholly possible that it was a script kicking around since the mid-2000s pitched as “Speed meets Phone Booth” with a few hence-added references to “the dark web...
One of the more purely pleasurable films I saw at Sundance Film Festival earlier this year was the latest from Once and Sing Street director John Carney. Flora...
There's a long, invariably strange GQ profile detailing Harmony Korine's latest attempts to reinvent the moving image, about which TBD––calling your company ED...
Following the first three section announcements, the final film section of the 61st New York Film Festival has been unveiled with Currents. Complementing the M...
The tiny city of Dalton, Georgia, has left a large footprint in the daily lives of millions who most wouldn’t have stopped for a second to consider. Well, it’s...
After exploding in a major way last year with Elvis, Austin Butler is gearing up for a big fall, leading WB's next major blockbuster with Dune: Part Two as wel...
When singled-out within a purely visual medium, sound becomes intrinsically linked to the theme of obsession: a mystery the eyes can’t see that the protagonist...
Following his epic Bacurau, Brazilian director Kleber Mendonça Filho returned to Cannes Film Festival this year with Pictures of Ghosts, a bittersweet, fascina...