NYC Weekend Watch is our weekly round-up of repertory offerings.
Film ForumAn essential retrospective of Ousmane Sembène, featuring 35mm prints and new rest...
Each week we highlight the noteworthy titles that have recently hit streaming platforms in the United States. Check out this week’s selections below and past r...
It’s one thing to ask a casual soccer fan if they've ever heard of the 1971 Women’s World Cup and hear a “No.” It’s another to get the same response from two-t...
While Terrence Malick happily toils away on year five of editing his Biblical epic The Way of the Wind, he's found a number of artistic diversions in recent ye...
Pete Gleeson’s 2016 documentary Hotel Coolgardie came and went on the festival circuit, but it made a strong impression on those who caught it. Following two y...
It’s 2023 and the early 2000s are having a moment: blog rock is being celebrated, nü metal is back, and Emerald Fennell––perhaps recognizing this vibe shift––s...
One night in 2016, I was working at a small movie theater in Austin, Texas, when a man leaned over the cash register and shook my hand. “Thanks for tonight,” h...
“The only difference between children and grown-ups is that the grown-ups are unsupervised.” This line, uttered in the second half of Bill Ross IV and Turner R...
If “Rear Window meets Life Is Beautiful” sounds like an all-timer of a cursed elevator pitch, then there’s nothing Michael A. Goorjian’s well-intentioned crowd...
The second part of this year’s Venice Film Festival shines with at least two firsts: Ava DuVernay is the first African-American female director competing for t...