It's appropriate that the act of illusion plays such a central role in Inferno, for the film itself spends a lot of time masquerading as though it's something l...
In yet another season of big-scale awards contenders and franchise-perpetuating blockbusters, a new Warren Beatty movie -- nay, a new Warren Beatty movie th...
Not only does Jim Jarmush have Paterson and Gimme Danger this fall, but he also produced -- and is featured in -- Uncle Howard, a new documentary from direc...
After The Visit, it looks like M. Night Shyamalan has found his sweet spot of effective thrills heading into lower budget territory with Blumhouse. They've ...
Oliver Stone. That’s the filmmaker who should have been asked to chronicle the career of Oasis, the hugely successful, ever-combustible, now-departed kings of B...
Dito Montiel helped lead Shia LaBeouf to one of his best performances exactly a decade ago with A Guide to Recognizing Your Saints. While both the director ...
Mark Lee Ping-Bing, long-time Hou Hsiao-hsien collaborator (including his most recent film, the stunning The Assassin) and cinematographer of the luminous I...
André Øvredal’s last feature, the monster mockumentary Trollhunter, was thrillingly irreverent -- a cruelly funny movie that turned Norwegian mythology into a r...
With The Blackcoat's Daughter slated for next year, writer-director Oz Perkins' follow-up will actually get a release before, with the Netflix-distributed I...