One of the greatest filmmaking partnerships to grace the industry is getting its deserved due in a new documentary. Directed by Stephen Soucy and featuring Dame Emma Thompson, Helena Bonham Carter, Hugh Grant, Vanessa Redgrave, Rupert Graves, and James Wilby, Merchant Ivory explores the collaboration of director James Ivory, producer Ismail Merchant, and their primary associates, writer Ruth Prawer Jhabvala and composer Richard Robbins. For those not familiar, Merchant Ivory Productions was responsible for the likes of A Room with a View, Howards End, The Remains of the Day, Maurice, and The Bostonians. Following a festival tour, the first trailer has now arrived from Cohen Media Group ahead of an August 30 release.
Here’s the synopsis: “MERCHANT IVORY (2023) is the first definitive feature documentary to lend new and compelling perspectives on the partnership, both professional and personal, of director James Ivory, producer Ismail Merchant and their primary associates, writer Ruth Prawer Jhabvala and composer Richard Robbins. Footage from more than fifty interviews, clips, and archival material gives voice to the family of actors and technicians who helped define Merchant Ivory’s Academy Award-winning work of consummate quality and intelligence. With six Oscar winners among the notable artists participating, these close and often long-term collaborators intimately detail the transformational cinematic creativity and personal and professional drama of the wandering company that left an indelible impact on film culture.”
Dan Mecca said in his review, “The best moments of Merchant Ivory––a documentary directed by Stephen Soucy concerning the legendary production company––feel like their most-successful pictures: restrained and revealing at the same time. Mostly told chronologically and split into chapters with talking heads to drive the narrative, the film dutifully recounts the agony and ecstasy of Merchant Ivory Productions. Sections are devoted to producer Ismail Merchant, director James Ivory, writer Ruth Prawer Jhabvala, and composer Richard Robbins. Dedicated crew members and stars sing their praises while softly criticizing their methods of madness, most of the latter directed at Merchant. Highlights include recollections of Merchant’s culling together funds for each production, often starting a film before all the money was put together. Or Jhabvala’s brutal judgment: Ivory recalls her dislike of Maurice from pre-production onward, all because the novel wasn’t, in her opinion, up to snuff. Somewhat ironically, Maurice is perhaps the most important film the company ever made, something Soucy rightly underlines here.”
See the trailer below.
