One of the most fascinating, ambitious cinematic projects premiering at the Berlin International Film Festival this month comes from Portuguese director João Canijo, who will be debuting a pair of connected films in different sections. First up, his Competition selection Mal Viver (Bad Living) draws inspiration from the plays of Strindberg and films of Rivette in telling the story of five women who are running a decaying hotel. Then the Encounters election Viver Mal (Living Bad) is set in the same location, but from the viewpoint of the guests. Ahead of the premieres, we’re thrilled to exclusively debut the first trailers.
With the same creative team behind both films, including cinematographer Leonor Teles, editor João Braz, sound team of Elsa Ferreira and Tiago Raposinho, production designer Nádia Henriques, and costumer designer Silvia Siopa, the cast of Mal Viver features Anabela Moreira, Rita Blanco, Madalena Almeida, Cleia Almeida, and Vera Barreto, while Viver Mal’s cast features Nuno Lopes, Filipa Areosa, Leonor Silveira, Rafael Morais, Lia Carvalho, Beatriz Batarda, Carolina Amaral, and Leonor Vasconcelos.
Check out the exclusive trailers, full synopses, and posters for both films below.
Mal Viver (Bad Living)
Five women are running an old hotel, trying to save it from inexorable decay. A long-standing, perhaps irreparable, conflict weighs down on them: they are mothers who are unable to love their daughters, who in turn are unable to be mothers. When the young Salomé arrives at the hotel, old wounds are reopened. Caught between resentment and the search for a way out, her mother, Piedade, makes a drastic decision. João Canijo constructs a space that seems to absorb the characters’ states of mind. Like a Strindberg play or a Rivette film, dark images and twilight colours reflect the ritual nature of gestures and the complexity of relationships. What are we and what do we become when the past looms and the present seems to offer no way out? Canijo does not provide one answer but instead multiplies the points of view, creating a structure that takes into account the different interpretations of time and space, and the human beings who pass through them.
Viver Mal (Living Bad)
Five women are running an old hotel and trying to save it from inexorable decay. Guests arrive over the course of a weekend: a couple bears the wounds of a long-term misunderstanding; a domineering mother interferes in her daughter’s relationship; two girls try to save their own love story in the face of opposition from a possessive mother. Viver Mal is the reverse shot of Mal Viver, which is screening in the Competition: here, João Canijo reveals everything that was floating in the depth of field in this film’s mirror image. Reality becomes the intertwining and multiplication of different points of view; the intersection between what can be seen and what the eye misses. Like a play of light reflections, Viver Mal is Mal Viver in another dimension. The image is distorted, but at the same time seeks a new definition by relaunching itself into infinity.
Learn more about both films at the official Berlinale sites: here and here.