If Jean-Pierre Léaud has been a bellwether-of-sorts for world cinema since the 1960s, and his actual career a continually evolving, singular portrait-of-sor...
Shaping up to be the kind of sweeping romantic war epic Hollywood doesn't seem all that interested in making today, The Promise follows an Armenian medical ...
Aren't romantic getaways the best? Well, they are until your lover holds you hostage in their apartment, and Liam Neeson isn't your father. This means Clare...
Films focusing on the struggles of everyday life for immigrants living into the United States aren't a dime-a-dozen, but in this political climate, they are...
Genre filmmaking and cinema as a whole lost an essential player recently with the devastating passing of Bill Paxton. A smart actor with a continual underst...
Ridley Scott's first movie in a lengthy-for-him year-and-a-half is Alien: Covenant, which follows up Prometheus with a little more of that useful brand reco...
One of the more popular film-related books of the last few years is Mark Harris' Five Came Back: A Story of Hollywood and the Second World War, which recoun...
Further proof that that the usual four-month summer window for studio's biggest tentpoles is ever-expanding, this month will see the release of Logan, Beaut...
Painting in cinema seems to be all the rage this spring. Following the trailer for the Canadian feature Maudie, the French biographical drama film Cézanne a...
One of the most striking, accomplished, and affecting films of last year was Terence Davies' Sunset Song -- and, thankfully, one won't have to wait long to ...
