Working with her sister Anna—a 38-year-old Korean adoptee with a developmental disability—director Liz Sargent’s sensitive drama Take Me Home is both witty and...
In a stray moment during Charlotte Zhang’s Tycoon, a young man says he stopped complaining to his landlord about the cockroaches invading his L.A. flat les...
In dance, you have to lead with confidence. Your partner looks to you for guidance, and they require you to look back at them responsively, to move instinc...
Note: This review was originally published as part of our 2025 Cannes coverage. Pillion opens in theaters on February 6.
It wouldn’t be Cannes without a...
Note: This review was originally published as part of our 2025 Cannes coverage. Sirat opens on February 6, 2026.
For the French-Spanish filmmaker Oliver...
Note: This review was originally published as part of our 2025 Cannes coverage. The President's Cake opens in theaters on February 6.
Among the best thi...
Note: This review was originally published as part of our 2025 NYFF coverage. Scarlet opens in theaters on February 6.
Across two decades of crafting animat...
Gold is such an apt metaphor for greed. It’s shiny, it’s heavy, it’s superficial, and it’s obtained through someone’s hard labor. That labor is carried on ...
Rock Springs works within a familiar genre framework––a family moves to a home in a town filled with strange people and is promptly haunted by spirits––to prob...
An exacting, well-articulated portrait of a Kosovan family in crisis as they attempt to make ends meet, Shame and Money confronts anxieties in a life drown...
