A return to form for Jay Duplass, who's also making his solo-directing debut, The Baltimorons is a charming throwback to the low-budget indies he directed with...
We've had Looney Tunes for nearly a century. Leon Schlesinger produced their first short Sinkin' in the Bathtub alongside animators Hugh Harman and Rudolf Isin...
A big swing and nearly a miss, Chad Hartigan's The Threesome is not without its charms even as it can overstay its welcome. A rom-com that offers a more seriou...
Directed by Rodney Ascher, best known for his horror-focused documentaries Room 237 and The Nightmare, Ghost Boy approaches its subject Martin Pistorius from, ...
In You Burn Me, the Argentinian littérateur-filmmaker Matías Piñeiro uses his vintage Bolex camera like the iOS Notes app. Shooting over the course of a few ye...
Over half a century later, what new information can be gleaned from the nights of August 9 and 10, 1969? Tom O'Neill and Dan Piepenbring’s riveting (if convolu...
If a James Bond or Mission: Impossible film excised all its action scenes––save a stray explosion or gunshot––while employing a script with a pop John le C...
“The world is a vampire” –– Billy Corgan, 1995
Before jumping directly into the action, Paul W.S. Anderson's In the Lost Lands opens with a framing de...
Three decades on from Brian De Palma’s gleefully unhinged psychological thriller Raising Cain, John Lithgow has once again found a cinematic role to showcase h...
Of all the directors who made the jump from music videos to feature-directing during MTV’s '90s peak, Michel Gondry is the sole name whose work hasn’t been abl...
