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    • Exclusive: Kevin Walker and Jack Auen’s Debut Feature Chronovisor Acquired by Grasshopper Film

    • Watch: Brady Corbet Directs Robert Pattinson in 1664 Commercial, Shot by Lol Crawley

    • Exclusive New Stills From Carla Simón’s Romería as Janus Films Sets June Release

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    • The Invite Trailer: Seth Rogen, Olivia Wilde, Penélope Cruz, and Edward Norton Have a Night to Remember

    • The Last One for the Road Trailer: Take an Inebriated Trip Through Italy

    • Blue Film Trailer: Controversial Camboy Thriller Arrives This May

  • Reviews

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    • Bunnylovr Review: A Compelling, Messy Character Study in Social Isolation

    • Faces of Death Review: Smartly Crafted Remake Investigates the “Sicko” in All of Us

    • The Drama Review: Kristoffer Borgli’s Provocations Mask Greater Ignorance

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    • 13 Films to See at 2026 New Directors/New Films

    • Posterized April 2026: Blue Heron, The Christophers, Exit 8 & More

    • NYC Weekend Watch: Tsai Ming-liang, Ken Jacobs, Gender Transgression & More

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    • François Ozon on the Existentialism of The Stranger, Arab Representation, and Bressonian Acting

    • The Blue Trail Director Gabriel Mascaro on Coming-of-Age Inversion, Playful Dystopias, and Conservative Awakenings

    • Sinking into the Abyss: Nadav Lapid on Yes, the Collapse of Morality, and Beauty in Dance

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    • Dolphins and Drugs: Michael Almereyda and Courtney Stephens on Capturing the Work of John Lilly

    • The B-Sides of Spike Lee

    • Gabe Klinger on Finishing Movies, Navigating Festivals, and Isabel

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    • Frank Ocean Shares His Favorite Films, Including Tarkovsky, PTA, Kurosawa, Lynch, Kubrick & More

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    • Exclusive: Kevin Walker and Jack Auen’s Debut Feature Chronovisor Acquired by Grasshopper Film

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    • Sundance Review: The Shitheads Offers Lively Comedy That’s More Than Meets the Eye

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News

May December, Past Lives, and American Fiction Lead 2024 Film Independent Spirit Awards Nominations

Slamdance Film Festival 2024 Unveils Lineup

Listen: Joe Hisaishi’s Full Score for Hayao Miyazaki’s The Boy and the Heron

Cahiers du cinéma’s Top 10 Films of 2023 Includes Trenque Lauquen, Fallen Leaves, and Anatomy of a Fall

Elizabeth Olsen to Lead Todd Solondz’s Love Child, Shooting This Spring

MUBI’s December 2023 Lineup Features The Delinquents, Olivier Assayas, Jean-Luc Godard, Takeshi Kitano & More

World Premiere of 4K Restoration of Edward Yang’s Mahjong Set for December’s Film at Lincoln Center Retrospective

First Look at Robert Eggers’ Nosferatu Brings Murnau to the Modern Age

Watch an Exclusive Clip from The Gods of Times Square, Presented by Josh Safdie

Watch: Martin Scorsese & Steven Spielberg Discuss Killers of the Flower Moon, Complicity, and the End of the Western

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Exclusive: Kevin Walker and Jack Auen’s Debut Feature Chronovisor Acquired by Grasshopper Film

Bunnylovr Review: A Compelling, Messy Character Study in Social Isolation

The Invite Trailer: Seth Rogen, Olivia Wilde, Penélope Cruz, and Edward Norton Have a Night to Remember

13 Films to See at 2026 New Directors/New Films

Faces of Death Review: Smartly Crafted Remake Investigates the “Sicko” in All of Us

The Last One for the Road Trailer: Take an Inebriated Trip Through Italy

Posterized April 2026: Blue Heron, The Christophers, Exit 8 & More

Dolphins and Drugs: Michael Almereyda and Courtney Stephens on Capturing the Work of John Lilly

NYC Weekend Watch: Tsai Ming-liang, Ken Jacobs, Gender Transgression & More

New to Streaming: My Undesirable Friends, Pillion, Avatar: Fire and Ash, Wuthering Heights & More

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