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    • Dakota Johnson, Saoirse Ronan, Jessie Buckley & Josh O’Connor to Lead Alice Rohrwacher’s Three Incestuous Sisters

    • March on the Criterion Channel Includes the Romanian New Wave, Ghost in the Shell, Who Killed Teddy Bear & More

    • Exclusive Poster for Christian Petzold’s Miroirs No. 3, Arriving This March

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    • Mile End Kicks Trailer: Barbie Ferreira Navigates Montreal’s Indie Music Scene in Chandler Levack’s Second Feature

    • The Stranger Trailer: François Ozon’s Acclaimed Albert Camus Adaptation Arrives in April

    • Tony Leung and Léa Seydoux Tend to Nature in U.S. Trailer for Silent Friend, Arriving This May

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    • Pompei: Below the Clouds Review: A Delicate Look at Life Under Mount Vesuvius

    • André Is an Idiot Review: A Noble Document of a Dumb Decision

    • EPiC: Elvis Presley in Concert Review: Baz Luhrmann’s Ecstatic Tribute to The King

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    • Posterized March 2026: Dry Leaf, Dead Lover, Touch Me & More

    • New to Streaming: The Secret Agent, BLKNWS: Terms & Conditions, It Was Just an Accident, Videoheaven & More

    • NYC Weekend Watch: Late Autumn, Mulholland Dr, Magic & More

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    • Werner Herzog on Dreams, Defeats, Ghost Elephants, and Why He’s Not a Workaholic

    • Alison McAlpine In Conversation With Walter Murch on Her Oscar-Nominated Perfectly a Strangeness

    • “We Cut 95% of It Out”: Matt Johnson on Nirvanna the Band the Show the Movie, Constant Re-Editing, and Season 3

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    • Remembering Tom Noonan with Keith Uhlich

    • Werner Herzog on Dreams, Defeats, Ghost Elephants, and Why He’s Not a Workaholic

    • The B-Sides of Anthony Hopkins with Brian Raftery

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News

Watch David Lynch’s Music Video for “Sublime Eternal Love” Ahead of New Album Cellophane Memories

Japan Cuts 2024 Includes Films by Hideaki Anno, Takeshi Kitano, Shinya Tsukamoto, Shinji Somai & More

Watch Two Exclusive Clips from The All Golden, Playing Wednesday at the Roxy Cinema

MUBI’s June 2024 Lineup Features Ryusuke Hamaguchi, Abbas Kiarostami, Hirokazu Kore-eda & More

First Look at Benny Safdie’s The Smashing Machine Starring Dwayne Johnson and Emily Blunt

Jeff Nichols Will Adapt Cormac McCarthy’s The Passenger and Stella Maris

Francis Ford Coppola on Having No Regrets with Megalopolis and the Films He’d Never Re-Edit

Pablo Larraín: Apichatpong Weerasethakul’s Films Make “Me Feel Less Lonely”

Watch Martin Scorsese’s Bleu de Chanel Ad Starring Timothée Chalamet

Kathryn Bigelow, Pietro Marcello, Juliette Binoche & More Set Next Films

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Mile End Kicks Trailer: Barbie Ferreira Navigates Montreal’s Indie Music Scene in Chandler Levack’s Second Feature

Remembering Tom Noonan with Keith Uhlich

Posterized March 2026: Dry Leaf, Dead Lover, Touch Me & More

New to Streaming: The Secret Agent, BLKNWS: Terms & Conditions, It Was Just an Accident, Videoheaven & More

NYC Weekend Watch: Late Autumn, Mulholland Dr, Magic & More

The Best Movies Now Playing in Theaters

Pompei: Below the Clouds Review: A Delicate Look at Life Under Mount Vesuvius

André Is an Idiot Review: A Noble Document of a Dumb Decision

The Stranger Trailer: François Ozon’s Acclaimed Albert Camus Adaptation Arrives in April

Tony Leung and Léa Seydoux Tend to Nature in U.S. Trailer for Silent Friend, Arriving This May

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