It could be said a cinematographer's greatest attribute is flexibility. Loathe though I am attributing much credence to Twitter prompts, it's fairly often that...
Among the most enduring films––not only from the furtive creative period of the 1970s, but all of cinema history––Terrence Malick's second feature Days of Heav...
With her starring turns in two of the year’s most audacious films, Sandra Hüller has cemented her place as Europe’s leading––and perhaps most fearless––actress...
The mark of an actor's career, I think, is what extent their filmography can reflect the time they're working. Matthew Modine is a prime case: we can point, fi...
For the past decade-and-a-half, cinematographer Sean Price Williams has been a staple of the New York indie-film scene, lensing features for (naming just a han...
Isabelle Huppert is one of cinema's most fearless and compelling performers: she can be both powerfully raw and impenetrably composed at once. It is even more ...
Rarely does a short generate interest like The Daughters of Fire, an ink-to-runtime ratio that could best be explained by its status as Pedro Costa's first pro...
It's often the case that cinematographers are worth an interview no matter their film or director. Rodrigo Prieto, on the other hand, presents a larger canvas....
Aki Kaurismäki’s 20th film keeps his signature humor and style. Fallen Leaves, starring Alma Pöysti and Jussi Vatanen as lonely, meant-to-be lovers, finds the ...
Returning to Japan for the first time since his Palme d'Or-winning Shoplifters - after venturing to France and South Korea - Hirokazu Kore-eda's Monster was in...