Utilizing three aspect ratios as well as multiple camera formats and a wealth of archival footage over its 2.5-hour-plus runtime, shooting Spike Lee's Vietnam ...
Following her back-to-back first features Thou Wast Mild and Lovely and Butter on the Latch, director Josephine Decker returned with Madeline's Madeline, a gen...
Abel Ferrara is debuting his newest film with longtime collaborator Willem Dafoe, Tommaso, as a virtual cinema release due to the ongoing conditions COVID-19 u...
The New York Film Festival’s Dennis Lim delivered director Albert Serra to me in the lobby of the Elinor Bunin Munroe Film Center during the 57th edition of th...
The story of Ned Kelly and his gang is the focus of director Justin Kurzel’s new film, but the Australian bushranger isn’t new to the cinema. The Story of the ...
In the two decades since his passing, Stanley Kubrick's filmmaking vision continues to be a subject of endless curiosity. Documentarian Gregory Monro’s newest ...
Crip Camp emerged from archival material shot by the People’s Video Theater, a group similar to Dziga Vertov Group, who documented movements for social feedbac...
It's difficult to exactly quantify the impact of Cristi Puiu's second feature. The Death of Mr. Lazarescu is a film about an ambulance worker's attempts to get...
For more than two and a half decades, the films of Jia Zhangke have given the world a poetic and deeply personal account of the shifting social plains of moder...
More than Ken Loach’s Palme d'Or for I, Daniel Blake, the film’s Prize of the Ecumenical Jury–Special Mention indicates the nature of Loach and Paul Laverty’s ...
