How do you make a 2.5-hour movie that feels like it flies by in a third of the time? Meet editor Andy Jurgensen, a long-time collaborator of Paul Thomas Anders...
Ed Wood died the better part of a half-century ago, and to this day his reputation as the world's worst filmmaker persists. Even in this era when seemingly eve...
One of the most anticipated films in the newly established Competition section at this year's Busan International Film Festival was Resurrection, an epic look ...
While preparing her feature-directing debut, Taiwanese actor Shu Qi was working on a screenplay that troubled and confused her. "I got stuck," she said at a Bu...
If you live in New York and care about movies, the beginning of the New York Film Festival—this year, specifically, on Friday, September 26—is perhaps the most...
David Osit’s Predators makes supremely challenging viewing. In a world of snap judgments, the film, which premiered at Sundance this January and open...
Reflecting on Francis Ford Coppola’s Megalopolis a year later, after all the memes, hyperbolic hitpieces, and even some admiring reviews, it’s likely public op...
Sunfish (& Other Stories on Green Lake) is the kind of small film you hope to discover at a festival. Written and directed by Sierra Falconer in her featur...
In the ever-intensifying dance between seen and being seen, where surveillance has become both a threat and an intimate gesture, Singaporean filmmaker Yeo Siew...
One of the most rewarding things about falling in love with a film is then falling in love with all of the things that inspired its creation. What are the book...
