Absent of jump scares, supernatural elements, and most clichés that come with horror, Christian Tafdrup's Speak No Evil is more interested in the ways as human...
There are few actors working today with the level of emotional intuitiveness of Vicky Krieps. Whenever she emerges onto a screen you innately feel exactly the ...
With his second feature The Cathedral, Ricky D’Ambrose takes a major step forward. He has not abandoned the clipped, elliptical style of his shorts and debut f...
“These three films, they're all masterful. They're extraordinary films, and they're actually quite different.” It’s mid-July in Switzerland and Todd Haynes is ...
Part mystery, part passionate romance, Aly Muritiba’s queer drama Private Desert is striking in the unexpected avenues its narrative takes, as well as the surp...
Rather than a dark comedy, Owen Kline’s directorial debut Funny Pages is perhaps more akin to slowly unfolding tragedy with a number of gut-busting gags. The s...
When watching documentarian Alex Pritz’s The Territory, the conflict becomes all-consuming. The Uru-eu-wau-wau, less than 200 of them, become the clear heroes....
Often a re-release is granted to some long-cherished classic or cult sensation. In the case of Lodge Kerrigan’s Keane, which played the festival circuit throug...
If it's become easy to forget the extent of Lena Dunham's talent it is, maybe, in direct proportion to how purely inescapable she was not even ten years ago. "...
Having grown up in rural Colorado, Max Walker-Silverman returned to a place he knows well for his directorial debut A Love Song. The Sundance and Berlinale sel...
