Theo Anthony’s movies are meticulously researched but, in his opinion, if he’s done his job you won’t know it. His new project All Light, Everywhere is broken ...
Suzanne Desrocher was tending bar in Toronto when she noticed that the tall guy with white hair was becoming a regular. “I had spied him and thought he was som...
Few filmmakers enliven conversation more than Christian Petzold, whose approach to any question—be it transposing narrative and philosophical tenets between na...
After first gaining prominence in Germany as a teen actor, Paula Beer rose to international arthouse stardom with her leading role in Francois Ozon’s Frantz in...
After visiting over 30 countries over the span of half-a-decade, Tom Lowe's non-narrative documentary AWAKEN is an awe-inspiring look at the bonds of nature an...
Nearly 16 months after it premiered at the Sundance Film Festival, Robert Machoian’s The Killing of Two Lovers, picked up by NEON, has arrived. Machoian, who g...
French filmmaker Alexandre Aja’s newest film, Oxygen, finds Mélanie Laurent trapped inside a cryogenic chamber with a little less than 90 minutes of air left i...
For the second year in a row, the TCM Classic Film Festival is available from home and now even more accessible than ever with two ways to watch. The festival ...
There is a scene in The Paper Tigers in which Hing (Ron Yuan) details how one can tell a certain kick is special. Not the technique or style, but the sound. At...
Ben Wheatley released his most recent film, Rebecca, only six months ago on Netflix. He’s already back with his second film to arrive during the pandemic: a ho...
