It takes confidence to name your film––simply and so very unspecifically––Love. Michael Haneke could get away with it for giving us the classic that is Amour. ...
With only two feature films, Georgian writer-director Dea Kulumbegashvili has collected some of the highest accolades in the film world. Her astonishing debut ...
Following The Film Stage's collective top 50 films of 2023, as part of our year-end coverage, our contributors are sharing their personal top 10 lists.
Some...
Following his Golden Bear winner Bad Luck Banging or Loony Porn, Romanian writer-director Radu Jude wowed critics again with the satire Do Not Expect Too Much ...
Don’t have a favorite Mongolian film yet? Worry no more. City of Wind, writer-director Lkhagvadulam Purev-Ochir’s feature debut, is here to expand your cinemat...
Argentinian writer-director Laura Citarella, part of the film collective El Pampero Cine responsible for such monumental work as La Flor, presented her third f...
Following The Film Stage's collective top 50 films of 2022, as part of our year-end coverage, our contributors are sharing their personal top 10 lists.
Thre...
There are many films that start with a bang and many that climax at the end. There are fewer that wow with a deliberately calibrated, orgiastic halfway mark. T...
Turkish-German filmmaker Fatih Akin shot to international fame when his fourth feature Head-On won the Golden Bear at the 2004 Berlinale. Since then he’s compe...
Following The Film Stage's collective top 50 films of 2021, as part of our year-end coverage, our contributors are sharing their personal top 10 lists.
Two ...
