The films of Canadian director Kazik Radwanski are freedom in its purest form, or the purest this particular medium can contain. Being the opposite of prescrip...
It’s safe to call Canadian artist and filmmaker Bruce LaBruce a Panorama mainstay; it’s been two decades and counting since Hustler White premiered in this Ber...
After winning the Un Certain Regard prize at Cannes last year, Molly Manning Walker’s singular debut How to Have Sex has been racking up BAFTA nominations and ...
In 1972, Uruguayan Air Force Flight 571 crashed deep in the Andes, en route to Chile. The 45 passengers included the Old Christian Rugby team, friends, and fam...
“The only difference between children and grown-ups is that the grown-ups are unsupervised.” This line, uttered in the second half of Bill Ross IV and Turner R...
The second part of this year’s Venice Film Festival shines with at least two firsts: Ava DuVernay is the first African-American female director competing for t...
Texas, late summer, a family in the dozen: with only a few simple building blocks, artist-filmmaker Lucy Kerr rearranges domesticity into eeriness in her featu...
Following The Wild Boys and After Blue, Conann marks the third feature-length project from prolific shorts filmmaker Bertrand Mandico. Many are still not convi...
Few would have imagined that Brazilian-Algerian director Karim Aïnouz––whose The Invisible Life of Eurídice Gusmão won the top prize in Un Certain Regard four ...
Anne (Léa Drucker) is an esteemed lawyer: as uncompromising as she is in her line of work, she is free to enjoy her private life. In her '40s she has it all, t...
