The five-year gap between features taken into account, you can understand why Guillermo del Toro has more than a couple of Pacific Rim follow-ups on the bra...
The particulars of The Lone Ranger’s budget woes have been so strong a matter of public record that it perhaps, even in small doses, dulled curiosity and an...
Just ahead of its July 16 release, David Lynch's next album, The Big Dream, is available to stream (in full!) from Pitchfork. By now, you have some idea of ...
In anticipation of a red band trailer premiering Wednesday, the new theatrical poster for Spike Lee's Oldboy -- one of our more anticipated titles of the fa...
Lines and lines of information weave in and out of each other at a pace far too liminal and frantic for any one person to be on top of any single thing at any g...
Since any New York City cinephile has an almost suffocating wealth of theatrical options, we figured it’d be best to compile some of the more worthwhile rep...
"Did you ever see Crash?"
"Oh, yeah -- that movie's terrible."
"What? I think it's easily among the most important movies Cronenberg's ever made. I'd ...
No matter your credentials as a film artist, the task of adapting a literary titan such as William Faulkner is, while not 100% advisable, brave -- even "bra...
It was sixty years ago this day when Paramount Pictures released Stalag 17, at first sight a seemingly familiar POW picture that, in the decades since its p...
Those in the U.K. will have The World's End in eighteen days, those in the U.S. must wait until late August, and I sort of wish George Washington et al. had...
