Dailies is a round-up of essential film writing, news bits, videos, and other highlights from across the Internet. If you'd like to submit a piece for consi...
We saw some great films at last year's Berlinale; few left as large an impression as Pablo Larraín's The Club. And while this experience may sound emotional...
We weren't over-the-moon enthusiastic about David O. Russell's Joy, which is hardly any reason to veer away from a chat between the helmer and Mad Men creat...
Earlier this month, we told you about an upcoming digital restoration of Jean-Luc Godard's Pierrot le Fou, the existence of which I found a bit dispiriting ...
Werner Herzog is no less a showman than he is an artist (some would readily say more so), making it no surprise that his film school is driven by the same wil...
No matter how much he's been ingrained into the widely established film canon, especially as far as foreign-language filmmakers go, Federico Fellini's oeuvr...
There are still seven days to go until I can (officially) discuss the greatness of The Hateful Eight, but let me peek my head out for a minute and say that ...
At the halfway point of December, there are, to put it lightly, many end-of-year lists hitting the web, and few publications have round-ups as consistently ...
Since any New York cinephile has a nearly suffocating wealth of theatrical options, we figured it’d be best to compile some of the more worthwhile repertory...
