For as often as Nanni Moretti is lumped into a certain "tradition of quality" pile reserved solely for easily digestible foreign-language filmmakers, we fou...
The reactions from this past fall indicated that Tobias Lindholm's A War is a cracking success, no less intense than the writer-director's much-lauded 2012 ...
The disaster movie is hardly in vogue nowadays, which of course means it's been some time since destructive giant waves were a major focus of the cinema. If...
Scrolling through Twitter today, I was a bit dumbfounded by a minor stir resulting from some folks only now discovering that, yes, John Wayne was quite raci...
Being that his recent Time Out of Mind left a strong impression on us, making its way into a couple of year-end lists, we're intrigued by news that Oren Mov...
If you've listened to a lot of Tindersticks -- or seen almost any Claire Denis movie -- you might agree that few contemporary bands so deserve a visual albu...
Since any New York cinephile has a nearly suffocating wealth of theatrical options, we figured it’d be best to compile some of the more worthwhile repertory...
The extent to which Pixar touts a focus on originality and creativity -- or "originality" and "creativity" through whatever means they measure those two qua...
If the Academy Awards are consistently good at one thing, it's the extent (however limited) to which they can highlight foreign-language films for audiences...
With the long-brewing, long-awaited Silence finally arriving, 2016 will be a big year for Martin Scorsese. And with the specter of a new film from our perso...
