Note: The following review contains spoilers that occur in the first act.
With his third feature, John Cameron Mitchell takes a departure from his oddity tri...
Florian Henckel von Donnersmarck took home the Oscar for The Lives of Others in 2006 and as per usual, he got a bigger offer. His latest film is The Tourist...
Max Winkler, known for his work on one of my favorite web series Clark and Michael, premiered his debut feature at TIFF this year. The comedy/drama Ceremony s...
Monsters, the low-budget sci-fi film from Gareth Edwards, has been continually gaining buzz in its festival circuit run. I hope to catch here in Toronto befor...
It's the reason I go to film festivals. I could anticipate loving Darren Aronofsky's Black Swan or Danny Boyle's 127 Hours, but it is a special moment when you discover a gem. Richard Ayoade's Submarine is just that....
Let Me In is a difficult film to review. I love director Matt Reeves, Cloverfield being right next to Let The Right One In as one of my favorite films of 2008...
Last night I went to my first Midnight Madness this year at Toronto International Film Festival. For those that aren't familiar, it is usually reserved for th...
From one of the hottest scripts in Hollywood, Dan Rush's Everything Must Go, recently premiered here at TIFF. Based on Raymond Carver's short story Why Don't ...
After the abominably banal Oscar-bait that was last year's Invictus, I was ready for Clint Eastwood to attempt something new. Enter Hereafter, a supernatura...
Jordan Raup is the founder and editor-in-chief of The Film Stage and a Rotten Tomatoes-approved critic. Track his obsessive film-watching on Letterboxd.
