X-Men: First Class is a wittier and smarter version of J.J. Abram's Star Trek, with a genuine emotional core. Both films are very similar, not only in how t...
Sprawling and epic -- two obvious, but true words to describe any Malick film. To no surprise whatsoever, The Tree of Life fits into that lush and overwhelm...
Woody Allen at his best is always a glory to behold. The man at his so-so, which applies to plenty of his more recent films, is still far more impressive an...
In concept, Priest should be one cool film. A story of priests fighting vampires sounds all kinds of awesome. Similar to Scott Stewart's directorial debut, ...
The Beaver isn't a film for everyone. It's a bit odd, it's quite dark and rarely sugarcoats the serious subject matter at hand. With a subtle and unobtrusiv...
Paul Feig knows how to make possibly inept comedy, dangerously derivative in the wrong hands, have a heart. Feig is behind one of the best series ever put o...
Marvel's big screen version of Thor is not what I expected from a Kenneth Branagh film. While watching the latest build-up adventure to The Avengers, it is ...
William Monahan is a "man's man" writer, but with a bit of a humanistic touch. Monahan often plays in testosterone-clouted universes, whether it be with a m...
Dylan Dog: Dead of Night, based on Tiziano Sclavi's horror comic, is beyond the reach of being just clunky, rather placed down in the depths of true, unfunn...
Water for Elephants, on paper, should be a tedious film: an adaptation of a best-selling novel (by Sara Gruen) that cuts pages into hours via surface level id...
