The world is ending and nobody cares in Ick, Joseph Kahn’s latest genre offering after 2017’s Bodied and 2011’s Detention. Despite only making four features in...
Is there a point to a metaphor if a filmmaker does all the unpacking for you? That was my main takeaway from Nightbitch, Marielle Heller’s adaptation of Rachel...
In just over a decade, Mike Flanagan went from promising indie director to one of the best American genre filmmakers working today. Starting with Absentia and ...
With the Toronto International Film Festival starting, there’s plenty to look forward to on the feature front. There’s also much room for discovery among Short...
For a film about saving the universe from cosmic evil, stakes couldn’t be lower in The Paragon. What begins as a man’s quest for revenge takes a hard left into...
Ahead of its world premiere at the Fantasia Film Festival, The Code announced itself with several red flags. Set during the Coronavirus pandemic in 2021 with a...
Five years after his surrealist comedy Relaxer, and over a decade since his breakout Buzzard, Joel Potrykus is back with Vulcanizadora. For those familiar with...
While watching the latest take on Alexandre Dumas’ literary classic, this time by directors Alexandre de La Patellière and Matthieu Delaporte (who just adapted...
After the dark comedy Come to Daddy, New Zealand director Ant Timpson travels back to his home country with lead actor Elijah Wood for Bookworm, an adventure d...
There’s been a bit of mystery surrounding Shelby Oaks, the directorial debut of Chris Stuckmann. A YouTuber who got his start reviewing films and has now amass...
