Four years ago, just before the pandemic was in full force, Amanda McBaine and Jesse Moss' Boys State picked up the U.S. Documentary Grand Jury Prize at Sundan...
Across her five previous features, Austrian director Jessica Hausner (Amour Fou, Lourdes, Little Joe) has developed a distinctly unique tone––one which carries...
Whatever the idea of "canonized" suggests, few films of such order are quite so well-liked and perpetually referenced (or just ripped-off) as Le Samouraï, leav...
Coming off his stellar Paul Newman and Joanne Woodward documentary The Last Movie Stars, Ethan Hawke's latest foray behind the camera is on the narrative side ...
It's hard to imagine we'll get a better soundtrack this year than that for Jane Schoenbruen's I Saw the TV Glow. Bringing together yeule, Frances Quinlan, Flor...
Across his nine features thus far, Paul Thomas Anderson has never had a prime summer release, but that is about to change when it comes to his currently untitl...
A masterfully crafted work with nearly no false notes, Kelly O’Sullivan and Alex Thompson's Ghostlight is a tender drama bearing profound moments of humor and ...
The Oscars may have concluded, but there's one more piece of the awards season worth checking out before we fully move on to 2024 in cinema. A welcome annual t...
While in many passages his finest work, Ari Aster's Beau Is Afraid certainly wasn't widely embraced as his previous films, but thankfully the results haven't l...
A breakout from last year's Directors' Fortnight (where it premiered alongside The Sweet East), Joanna Arnow's (deep breath) The Feeling That The Time for Doin...
