For the second in a row, the Berlinale jury has awarded the top prize of Golden Bear to a documentary. Before Mati Diop's Dahomey this year, Nicolas Philibert’...
Welcome to a new episode of The Film Stage Show! Brian Roan and Robyn Bahr are joined by Sarah G. Vincent to discuss Cord Jefferson's Best Picture-nominated di...
You’d expect the pivotal music cue in Philippe Lesage’s Who by Fire to be its namesake by Leonard Cohen, a beautiful and plaintive prayer of a song. But instea...
Reviewing No Other Land out of Berlinale, Rory O'Connor described the "disorienting and dispiriting landscape" into which it was premiering. Quite an understat...
Francis Ford Coppola's Megalopolis isn't this year's only epic around which a director has staked much of their finances to fulfill. After owning television sc...
In 1953, Alain Resnais, Chris Marker, and Ghislain Cloquet produced Statues Also Die, one of the fiercest and most lucid indictments of white imperialism ever ...
We don’t step evenly into Sons. Over the stretch of a long, grim elevator ride––face-to-face with Eva (Sidse Babett Knudsen), a middle-aged woman working as a ...
After his Oscar-nominated epic Killers of the Flower Moon and a sci-fi Super Bowl ad, Martin Scorsese will return to the realm of faith for his next project. W...
There’s a stretch of land in northwestern France that’s spent the past six decades fighting prospects of total annihilation. Plans to build a new international...
