Despite the worldwide popularity of the sport, it's a shame the great football (aka soccer, around these parts) movies can mostly be counted on one hand. Wh...
It was only a few days ago when we shared the first images from Le Fils de Joseph, the latest drama Eugène Green, his follow-up to La Sapienza, which was sa...
Dailies is a round-up of essential film writing, news bits, videos, and other highlights from across the Internet. If you'd like to submit a piece for consi...
After jumping into massive-budget spectacle with Furious 7, this year finds James Wan returning to smaller scale horror in two features. First up, he direct...
Following in a wave of cerebral psychological horror films such as The Witch, It Follows, and The Babadook, Anita Rocha da Silveira’s debut Kill Me Please is th...
At its heart, Bi Gan's Kaili Blues is a meditation on the struggle between traditionalism and modernism. Through the story of one man’s journey through Chinese ...
I Promise You Anarchy, by writer-director Julio Hernández Cordón, titillates equally with its queer sensuality and noirish crime, neither of which is entirely t...
From Sophie's Choice to My Sister’s Keeper, child loss has been the subject of everything from prestige Oscar pictures to YA drivel. It’s an understandable foc...
The last thing I saw at the 2015 Camerimage Film Festival was Jerzy Skolimowski's 11 Minutes, which I was fortunate enough to enter with almost no pre-exist...
