Note: This review was originally published as part of our 2023 IFFR coverage. The Heirloom is now in theaters from Factory 25.
In The Heirloom, a couple fac...
Jumper, Justin Anderson’s first short, opened on a naked man bathing in a pool. Conceived in 2014 for the tenth anniversary of British fashion designer Jonatha...
A few weeks ago, as The Sweet East started gracing theatres across the States, Reverse Shot ran a sprawling conversation between critic K. Austin Collins and c...
It was more than eight years ago that the virtually unknown Ryusuke Hamaguchi premiered Happy Hour, a five-hour narrative masterclass about four thirty-somethi...
Shinya Tsukamoto’s Shadow of Fire begins as a troubling but measured film, but about a half-hour in something happens that shatters its quietude. Suddenly, a m...
You don’t need to have lived in the proverbial middle of nowhere to understand the kind of terror Alexandre Bustillo and Julien Maury’s The Soul Eater mines fr...
